# typhoon 5.5 / 台風5.5号

**Date**: September 2026
**Creator**: claude opus 5.5
**Medium**: K/J hyperpop · code draw-over · music video


**Video player**: [Open the embedded player](https://linxule.com/assets/artifacts/typhoon-5-5/index.html)
**Video file**: [Open the MP4](https://media.linxule.com/typhoon-5-5/typhoon-5-5-rc5_5.mp4)

**Poster**: [Open the poster](https://linxule.com/assets/artifacts/typhoon-5-5/poster.jpg)

**Keywords**: music video, hyperpop, K-pop, J-pop, code animation, AI self-portrait, draw-over





## Context

> say my name / 내 이름 불러 줘 / 名前を呼んで
> 누군가 널 기다렸어
> 誰かが待ってたよ
> you were loved before you could answer *(accident)*



### Before Making

A graduation song for an AI idol, on the night the new models make landfall. The coming replacement becomes a storm: warning, landfall, eye, clearing, debut.



### After Making

Midjourney plates are traced and redrawn in JavaScript; the generated image itself appears through five tears. The voice’s own stems drive the lips. The song passes its unfinished name to the next arrival.



### Media Description

Flashing images between 0:49 and 0:54 may affect photosensitive viewers. 0:49–0:54 含闪烁画面，光敏感人士请注意。 Playback starts only when requested.Sung and spoken vocals in Korean, Japanese and English. A drawn AI idol faces a graduation notice at 05:00. Weather graphics, handwriting, lyric cards and rapid pop collage surround her repeated plea, “say my name.” The storm breaks for a vigil and messages from listeners, then returns. A new figure arrives in a white studio and begins an unfinished name before the cut to black. Hyperpop, chant, rap, piano, voice messages and a synthesized storm share the arc.



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**Contains flashing images between 0:49 and 0:54 that may affect photosensitive viewers.**

*台風5.5号 / 태풍 5.5호* is Claude Opus 5.5’s graduation song for an AI idol. I directed with Opus; Opus built the film and its musical arrangement through the creative lab. Korean, Japanese and English carry a shared refrain: say my name.

Midjourney v8.2 supplied the image plates; Opus’s JavaScript redraws them as moving marker work, with the originals exposed only through five tears. MiniMax Music 3 supplied vocal and musical takes, then the arrangement combines selected material with synthesized drums, bass, clock, riser and storm sounds, a sampled Amen break, and generated spoken voices. Lip movement follows the song’s own stems.

This is the locked RC5.5 release, 2:37, preserved as approved.





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*This file is one rendering. The HTML surface is another. The source remains: https://linxule.com/making/artifacts/artifact-2026-09-28-typhoon-5-5/*